VIDEO 101

Camera Operation

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Introduction
White Balance
Exposure
Focus
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Camera Operation > Exposure

ABOVE: Because the out-of-doors is much brighter than the indoors, this shot is messed up when you use automatic exposure. The camera reads the bright window and closes down the aperture so very little light enters the camera (sort of like how you squint on a sunny day.)
BELOW: The only way to fix the shot is to manually override the exposure setting.

Did you know that it is about 100 times brighter in your back yard than it is in your living room? 100 times! Don’t believe this? Try watching TV outside. It's impossible! Your TV is only visible in the "dark" environment of your home. Another example: turn on your car headlights while you are driving at noon and see what they illuminate. Nothing! Because they are overwhelmed by the superbright sun.

Of course, you don't notice these huge differences in brightness because your eyes do an on-the-fly adjustment to compensate for the variations. Camcorders can do on-the-fly brightness adjustments too; it's just that they aren't as good at it as the human eye. Not even close.

Your camcorder has an "exposure" control (also called "iris"or "f-stop") which can be set to automatic or manual. The automatic on-the-fly adjustment is fine for most scenes--and most camcorder users never even learn to override automatic and "go manual." But there are times when you really do need to use the manual control.

A typical example involves a shot of a person standing in front of a window. In real life, your eye can take in the brightness differences of the subject (fairly dark) and the outside stuff you see through the window (really bright). But even the most expensive camcorder completely fails when it tries to shoot this scene. Typically, the camcorder's automatic exposure control is fooled by the bright window and thinks "Hey, this is an outside scene; it’s really bright" and then reduces the amount of light going into the camera. The unfortunate result: it scales back the incoming light so much, it can’t get a good picture of the person, and so she is now seen in a silhouette.

The solution to this common situation is to manually adjust the exposure to let more light in. With some camcorders, you can precisely adjust the exposure--cheaper camcorders just have a button called "backlight." Either way, increasing the amount of light entering the lens means the camcorder will get a much better shot of the subject--although everything in the window will now be overexposed. So solution "B" is to get away from the window.

More on all this in the Lens Lesson later on in the course.

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Michael Trinklein